True Autumn natives would do best to avoid very bright, cool, and very light value colors (pastels) as these will look very separate from their golden warmth. In between, there is also an emphasis on olives, khakis, and dark taupes. True Autumn neutrals range from warm ivories and creams to smoky warm greys and browns. True Autumn Color Palette True Autumn Neutrals and Colors to Avoid
These natives possess an even dispersion of rich color all throughout their features. Overall, there is low to moderate contrast between their hair, eyes, and skin. Their hair often also has a bronzed, brass, or walnut tone, and can range from warm light blondes to warm deep blacks.
True autumn color skin#
True Autumn natives can possess golden, olive, and warm pink and brown skin with bronzed or tawny pink and apricot/honey undertones. The colors are tinged with the golden glimmer of a clear sunset and the shades all carry an earthy sensuality. Overall, the palette is gently luminous, rich, and inviting. The palette focuses on colors with slightly soft to moderate chroma (in between very muted and very bright) with an emphasis on the warmer hues (yellows, oranges, warm reds and pinks, blue-greens, and various shades of grey and brown). True Autumns falls between Soft Autumn (Soft and Warm) and Dark Autumn or Deep Autumn (Dark and Warm). Neutrals-only combinations may also look rather bland on you.In the 12 Seasonal Color System, True Autumn is a season dominated by warmth and softness or muted-ness (Warm and Muted). Avoid extreme contrast, especially combinations of colours that sit opposite each other on the colour wheel, such as blue and orange. Similarly, you can pair lighter neutrals with rich, darker accent colours.Īlthough these combinations have a degree of contrast, they are not highly contrasting.
True autumn color free#
Feel free to pair neighbouring hues with similar values, such as a medium orange with a medium pink.Īnother option is to pair a darker neutral with a lighter, richer accent colour, such as a medium brown with a mustard yellow. Monochromatic combinations, which combine different shades of one hue, such as light green with a darker green, are flattering.īut as a True Autumn, you can even take on more contrast than that. To achieve a lower level of contrast, pair colours that resemble each other in hue or value. Therefore, the best colour combinations for your outfits are those that have a pop of colour here and there. It is also important to achieve the rich look that True Autumns naturally have. True Autumn’s natural appearance blends, but there is some contrast between the features. Those are the combinations that repeat the level of contrast that is naturally present in your appearance. But certain combinations will look much better than others. Technically, you can combine any of the colours on the True Autumn palette with each other. Whereas if you lean more towards Dark Autumn, choose the lighter colours on the Dark Autumn palette – such as Mustard Gold, Butterum and Spinach Green. If you lean more towards Soft Autumn, opt for the darker and brighter colours on the Soft Autumn palette – such as Fall Leaf, Cardinal and Olive Night. Depending on where you fall on the True Autumn spectrum, you can borrow some colours from your sister palettes since they are close enough to the True Autumn colour palette. True Spring colours are vibrant, clear and more contrasting.Ĭompared to Soft Autumn, the colours are warmer, brighter and slightly darker overall.Īnd compared to the third Autumn season Dark Autumn, the colours are warmer, softer and slightly lighter.Īs sister palettes, Soft Autumn and Dark Autumn both share True Autumn’s aspects of muted and warm, respectively. With their opposite season True Spring, the colours share the same warmth but are muted and darker. And the colours are rich, medium-dark and very warm. True Autumn sits between Soft Autumn and Dark Autumn on the seasonal flow chart. However, the colours may overall appear more saturated because our eyes are more reactive to warm colours. In line with this season’s secondary aspect, the colours are medium-low in chroma. And while most colours are in the middle of the value scale, there are more that lean towards the darker end. The colours range from fairly light (beige) to fairly dark (deep brown). Instead, there are more yellows, greens and warm browns, which are naturally yellow-based.
And you will only see warmer shades of blue that have a tint of yellow, like turquoise. Consequently, you will find very few shades of blue (which is the coolest colour of all). This means the colours contain yellow undertones but no blue undertones at all. Thus, the colour palette sits at the warmest end of the hue scale.
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